#Sacred geometry in nature movie#

The second UFO shot across the sky like a meteor, stopped dead in its tracks, at which point its lights began to blink, and its course veered crazily over the mountaintops, until it flew away at an insane speed.Ĭonclusion: Geometry aside, meteors are a naturally-occuring phenomenon, and therefore are not to be trusted. Some very satisfying geometry here, all of which is beside the point of this article, but watch for my upcoming post, “Where Did This Green Stuff Come From?” The first, I later identified as a meteor hitting the Earth’s atmosphere, glowing bright green, and bisecting at a 45-degree angle. I’ve seen exactly two Unidentified Flying Objects in my two-score tenure on this flat discus we call Earth. A perfect sphere is so preposterous in nature that it can be dismissed without fear of reprisal.Ĭonclusion: Spheres are laughably untrustworthy. The Sacred Feminine takes in a diminishing (or growing) spiral shape. Can they then fit into the category of the Sacred Feminine? Again, I must sadly answer no. Are they the perfect companion to rods? Hardly, as they generally only appear singly, sans rods. Many say that these are ghosts, ghasts, or some other form of spirit captured on camera. SpheresĪnother favorite of ghost-chasers with a camera. While their phallic shape instills trust in some, I am troubled deeply by the lack of two spheres at the base of the rods.Ĭonclusion: Rods are a pretender to the throne of the Sacred Masculine. I feel I will meet no resistance when I say that these are interdimensional, rod-shaped beings who are passing from their dimension to ours, and get caught on film. RodsĪs any enthusiast of both photography and the supernatural will gladly attest, when taking photographs, at certain times, rod-shaped beings will appear in the developed photograph. In this article, we will discuss the geometry of nature, the supernatural, and cryptozooids, and whether each can be trusted based on their geometry. “But what of the Sacred Masculine and its geometry in nature?” I asked myself one day, while eating my snack of bananas and cucumbers.

#Sacred geometry in nature movie#

While the geometry of Tom Hanks’ hair went unexplained in the movie adaptations, the aforementioned novel went on a great deal about the geometry in nature – namely, the symbology of the Sacred Feminine, the Fibonacci sequence, the Golden Ratio, and the like. Sacred Geometry was a much-ballyhooed idea in Dan Brown’s novel, The Da Vinci Code, and its many sequels of diminishing quality.